Archive | July, 2008

Bruce Springsteen to Play Yankee Stadium? Just a Rumor?

31 Jul

Is it a rumor or will Bruce Springsteen and the E Street Band, be the last team to play at the fabled Yankee Stadium? With Billy Joel’s recent two show musical sendoff at Shea Stadium, will Springsteen give the famed and storied House that Ruth built its final musical send off?
In 2003 Springsteen, a lifetime Yankee fan, initially wanted to play the last three shows of his Rising tour in the Bronx. Yankee officials declined his request citing post season play as the main reason. For the two, New York Area Rock ‘n Roll Hall of Famers, there has always been a friendly rivalry. Both have banners hanging from the rafters from their perspective hometown arenas. Joel has the record for most performances at Madison Square Garden and Springsteen has similar records at the Izod Center and Giants Stadium.
As of today, the last scheduled performance for this tour is slated for August 30th at The Roadhouse at the Lakefront in Milwaukee. It can’t be the last show of the tour. The last two tours, Springsteen has finished up with shows in New York City and Yankee Stadium is the logical place to end this tour. It may also be the last time that Springsteen Fans will see the current lineup of the E Street Band. It is believed that Max Weinberg won’t be able to take time off from leading the Max Weinberg 7, the house band for the Conan O’Brien show, which is slated to move to Los Angeles as O’Brien takes over as the host of the Tonight Show. Then there is the Big Man, Clarence Clemmons. He is now 66. Many fans believe with his advanced age and replacement knees, he might not be able to endure another long tour a few years up the road.
Though there is no official word of any further dates, don’t be surprised if Springsteen joins
Ruth, Gehrig, DiMaggio, Mantle, Jackson, Mattingly, Yogi and Jeter all who have left their marks on the field of the most Hollowed Mecca of Spots.

Giants Stadium Shows, Harking Back The Good Old Days

30 Jul

With two Giant Stadium shows under their belts, Bruce Springsteen and the E Street Band continue to frolic through the Bruce Springsteen song catalog, bringing back gems that haven’t been played in decades. Bruce Springsteen and the E Street Band have performed 44 different songs the first two nights of their three night Giants Stadium Stand. As Bruce Springsteen and the E Street Band get ready for the last show, fans believe that Bruce Springsteen and the E Street Band will continue down the same road and tomorrow night Bruce Springsteen and the E Street Band show looks to be more of the same.

This from brucespringsteen.net

By Anthony Fischetti

There simply is no letup to these shows.

As a Darkness tour vet, I grew up with the “anything could happen tonight” Springsteen concert mentality. That feeling as you walk into the venue had kind of fallen by the wayside the last few years, probably since ’99-00 — at least for me.

Not anymore. I truly believe that the band is playing at its highest level, seriously approaching its craft and yet enjoying itself to an extent that I have not seen since the summer of ’78. Springsteen has once again found a way to make enormadomes intimate (the sign gimmick works to perfection), and whatever sound technology they’re using, at least at Giants Stadium, should be bottled. Loud, crisp, and powerful.

Sunday and Monday nights were my ninth and tenth shows of this tour, and the band is now honed to a level not heretofore seen by me. I know it sounds crazy, but I had a better time last night than I did in a cozy 13,000 seat minor league hockey arena in Albany last November. The Nils somersault during the “Because the Night” solo was off the hook. This is the best version of “Badlands” I’ve ever seen. And the instrumental break after the opening harmonica in ‘Promised Land’ (whether planned or not — he went back to the water tray, the band grooved for two measures, and then they picked it up again) worked to perfection. Hard for me to imagine these guys making any mistakes anymore. They sound and look that good right now — the man and his band continue to amaze. And I’m not easily amazed.

The symbiotic audience/performer circle is unbroken in a way it hasn’t been, in my opinion, in many, many years — since Born in the U.S.A. To quote Carly, “These are the good old days.”

Giants Stadium, 7-28-08 Havin’ a Party

30 Jul

The second night of the 3 night Giants Stadium stand, Bruce Springsteen and the E Street Band are having a house party that’s bigger than Mary’s House. Bruce Springsteen and the E Street Band have danced through the Bruce Springsteen song catalog. With 44 different songs played, Bruce Springsteen and the E Street Band have made the first two shows more than just special. As Bruce Springsteen and the E Street Band prepare for the last show in New Jersey, fans will be waving signs with song requests hoping that Bruce Springsteen and the E Street Band will grab their song and run with it. If you have tickets for tomorrow nights show, buckle your seat belt, because Bruce Springsteen and the E Street Band are going to take you on one wild ride.

This from brucespringsteen.net

EAST RUTHERFORD, NEW JERSEY
Monday, July 28
By Glenn Radecki

The second night at Giants Stadium was clearly and completely a “party” night. After playing nothing off The River album on Sunday, the mood of the show was immediately set with “Out in the Street,” and several subsequent rockers from that album included a sign request for “Sherry Darling.” Bruce was clearly in a good mood, even playfully instructing the band to play “It’s Hard to be a Saint in the City” in the key of C (“I know it’s in ‘A,’ but we’re gonna play it in ‘C,’” he insisted).

Night two’s setlist kept the audience engaged throughout another marathon performance (approximately three hours and five minutes), with uptempo rocker after uptempo rocker and the band displaying their energy and physical prowess. Bruce was running across the stage from end to end consistently during the first half of the show, visiting each of the five platforms at the front of the stage that extend into the first few rows. Steve was particularly engaged throughout the night, and his spirited sharing of the vocals with Bruce on “Two Hearts” and “Held up Without a Gun” spilled over into the new material, as he and Bruce traded vocals during the vocal spotlight at the end of “Long Walk Home.” Such was the energy in the building that the slower-tempo ultra-rarity “Drive All Night” was a welcome respite, even for those unaware that it was only the second E Street Band performance of the song in more than 25 years.

Monday was clearly a night for family and friends, with Dave Bielanko of Marah and Jesse Malin joining Bruce on vocals and guitar (Bielanko even took a short solo) during “Twist and Shout,” along with Garry’s daughter, Springsteen’s daughter and a contingent of her friends. Patti Scialfa’s birthday is Tuesday, with Bruce leading the audience in a “Happy Birthday” serenade. In a touching (and thrilling) moment, Jay Weinberg took over the drum stool from his father to play on “Born to Run.” Fans could see that after the song started, Max walked out to the ramp at the front of the stage to watch his son on the giant video screen.

FAREWELL TO DANNY

30 Jul

Let me start with the stories.

Back in the days of miracles, the frontier days when “Mad Dog” Lopez and his temper struck fear into the band, small club owners, innocent civilians and all women, children and small animals.

Back in the days when you could still sign your life away on the hood of a parked car in New York City.

Back shortly after a young red-headed accordionist struck gold on the Ted Mack Amateur Hour and he and his mama were sent to Switzerland to show them how it’s really done.

Back before beach bums were featured on the cover of Time magazine.

I’m talking about back when the E Street Band was a communist organization! My pal, quiet, shy Dan Federici, was a one-man creator of some of the hairiest circumstances of our 40 year career… And that wasn’t easy to do. He had “Mad Dog” Lopez to compete with…. Danny just outlasted him.

Maybe it was the “police riot” in Middletown, New Jersey. A show we were doing to raise bail money for “Mad Log” Lopez who was in jail in Richmond, Virginia, for having an altercation with police officers who we’d aggravated by playing too long. Danny allegedly knocked over our huge Marshall stacks on some of Middletown’s finest who had rushed the stage because we broke the law by…playing too long.

As I stood there watching, several police oficers crawled out from underneath the speaker cabinets and rushed away to seek medical attention. Another nice young officer stood in front of me onstage waving his nightstick, poking and calling me nasty names. I looked over to see Danny with a beefy police officer pulling on one arm while Flo Federici, his first wife, pulled on the other, assisting her man in resisting arrest.

A kid leapt from the audience onto the stage, momentarily distracting the beefy officer with the insults of the day. Forever thereafter, “Phantom” Dan Federici slipped into the crowd and disappeared.

A warrant out for his arrest and one month on the lam later, he still hadn’t been brought to justice. We hid him in various places but now we had a problem. We had a show coming at Monmouth College. We needed the money and we had to do the gig. We tried a replacement but it didn’t work out. So Danny, to all of our admiration, stepped up and said he’d risk his freedom, take the chance and play.

Show night. 2,000 screaming fans in the Monmouth College gym. We had it worked out so Danny would not appear onstage until the moment we started playing. We figured the police who were there to arrest him wouldn’t do so onstage during the show and risk starting another riot.

Let me set the scene for you. Danny is hiding, hunkered down in the backseat of a car in the parking lot. At five minutes to eight, our scheduled start time, I go out to whisk him in. I tap on the window.

“Danny, come on, it’s time.”

I hear back, “I’m not going.”

Me: “What do you mean you’re not going?”

Danny: “The cops are on the roof of the gym. I’ve seen them and they’re going to nail me the minute I step out of this car.”

As I open the door, I realize that Danny has been smoking a little something and had grown rather paranoid. I said, “Dan, there are no cops on the roof.”

He says, “Yes, I saw them, I tell you. I’m not coming in.”

So I used a procedure I’d call on often over the next forty years in dealing with my old pal’s concerns. I threatened him…and cajoled. Finally, out he came. Across the parking lot and into the gym we swept for a rapturous concert during which we laughted like thieves at our excellent dodge of the local cops.

At the end of the evening, during the last song, I pulled the entire crowd up onto the stage and Danny slipped into the audience and out the front door. Once again, “Phantom” Dan had made his exit. (I still get the occasional card from the old Chief of Police of Middletown wishing us well. Our histories are forever intertwined.) And that, my friends, was only the beginning.

There was the time Danny quit the band during a rough period at Max’s Kansas City, explaining to me that he was leaving to fix televisions. I asked him to think about that and come back later.

Or Danny, in the band rental car, bouncing off several parked cars after a night of entertainment, smashing out the windshield with his head but saved from severe injury by the huge hard cowboy hat he bought in Texas on our last Western swing.

Or Danny, leaving a large marijuana plant on the front seat of his car in a tow away zone. The car was promptly towed. He said, “Bruce, I’m going to go down and report that it was stolen.” I said, “I’m not sure that’s a good idea.”

Down he went and straight into the slammer without passing go.

Or Danny, the only member of the E Street Band to be physically thrown out of the Stone Pony. Considering all the money we made them, that wasn’t easy to do.

Or Danny receiving and surviving a “cautionary assault” from an enraged but restrained “Big Man” Clarence Clemons while they were living together and Danny finally drove the “Big Man” over the big top.

Or Danny assisting me in removing my foot from his stereo speaker after being the only band member ever to drive me into a violent rage.

And through it all, Danny played his beautiful, soulful B3 organ for me and our love grew. And continued to grow. Life is funny like that. He was my homeboy, and great, and for that you make considerations… And he was much more tolerant of my failures than I was of his.

When Danny wasn’t causing chaos, he was a sweet, talented, unassuming, unpretentious good-hearted guy who simply had an unchecked ability to make good fortune and things in general go fabulously wrong.

But beyond all of that, he also had a mountain of the right stuff. He had the heart and soul of an engineer. He learned to fly. He was always up on the latest technology and would explain it to you patiently and in enormous detail. He was always “souping” something up, his car, his stereo, his B3. When Patti joined the band, he was the most welcoming, thoughtful, kindest friend to the first woman entering our “boys club.”

He loved his kids, always bragging about Jason, Harley, and Madison, and he loved his wife Maya for the new things she brought into his life.

And then there was his artistry. He was the most intuitive player I’ve ever seen. His style was slippery and fluid, drawn to the spaces the other musicians in the E Street Band left. He wasn’t an assertive player, he was a complementary player. A true accompanist. He naturally supplied the glue that bound the band’s sound together. In doing so, he created for himself a very specific style. When you hear Dan Federici, you don’t hear a blanket of sound, you hear a riff, packed with energy, flying above everything else for a few moments and then gone back in the track. “Phantom” Dan Federici. Now you hear him, now you don’t.

Offstage, Danny couldn’t recite a lyric or a chord progression for one of my songs. Onstage, his ears opened up. He listened, he felt, he played, finding the perfect hole and placement for a chord or a flurry of notes. This style created a tremendous feeling of spontaneity in our ensemble playing.

In the studio, if I wanted to loosen up the track we were recording, I’d put Danny on it and not tell him what to play. I’d just set him loose. He brought with him the sound of the carnival, the amusements, the boardwalk, the beach, the geography of our youth and the heart and soul of the birthplace of the E Street Band.

Then we grew up. Very slowly. We stood together through a lot of trials and tribulations. Danny’s response to a mistake onstage, hard times, catastrophic events was usually a shrug and a smile. Sort of an “I am but one man in a raging sea, but I’m still afloat. And we’re all still here.”

I watched Danny fight and conquer some tough addictions. I watched him struggle to put his life together and in the last decade when the band reunited, thrive on sitting in his seat behind that big B3, filled with life and, yes, a new maturity, passion for his job, his family and his home in the brother and sisterhood of our band.

Finally, I watched him fight his cancer without complaint and with great courage and spirit. When I asked him how things looked, he just said, “what are you going to do? I’m looking forward to tomorrow.” Danny, the sunny side up fatalist. He never gave up right to the end.

A few weeks back we ended up onstage in Indianapolis for what would be the last time. Before we went on I asked him what he wanted to play and he said, “Sandy.” He wanted to strap on the accordion and revisit the boardwalk of our youth during the summer nights when we’d walk along the boards with all the time in the world.

So what if we just smashed into three parked cars, it’s a beautiful night! So what if we’re on the lam from the entire Middletown police department, let’s go take a swim! He wanted to play once more the song that is of course about the end of something wonderful and the beginning of something unknown and new.

Let’s go back to the days of miracles. Pete Townshend said, “a rock and roll band is a crazy thing. You meet some people when you’re a kid and unlike any other occupation in the whole world, you’re stuck with them your whole life no matter who they are or what crazy things they do.”

If we didn’t play together, the E Street Band at this point would probably not know one another. We wouldn’t be in this room together. But we do… We do play together. And every night at 8 p.m., we walk out on stage together and that, my friends, is a place where miracles occur…old and new miracles. And those you are with, in the presence of miracles, you never forget. Life does not separate you. Death does not separate you. Those you are with who create miracles for you, like Danny did for me every night, you are honored to be amongst.

Of course we all grow up and we know “it’s only rock and roll”…but it’s not. After a lifetime of watching a man perform his miracle for you, night after night, it feels an awful lot like love.

So today, making another one of his mysterious exits, we say farewell to Danny, “Phantom” Dan, Federici. Father, husband, my brother, my friend, my mystery, my thorn, my rose, my keyboard player, my miracle man and lifelong member in good standing of the house rockin’, pants droppin’, earth shockin’, hard rockin’, booty shakin’, love makin’, heart breakin’, soul cryin’… and, yes, death defyin’ legendary E Street Band.

Bruce Springsteen

Bruce Springsteen Battling With Bon Jovi For ‘Biggest Tour Of 2008 Crown’

29 Jul

Thanks to Gigwise

by Jason Gregory
28 July 2008
Bruce Springsteen and the E Street Band are vying with Bon Jovi as to who claims the biggest US tour of 2008.

Currently both acts are tipped to end the year with tickets sales of $70 million – but Springsteen’s revenue could climb higher depending on depending on demand for the second leg of his US tour, which gets under way this week.

The figures, published by the trade publication Pollstar, are modest in comparison to previous years, however.

Last year, The Police made $132 million on their reunion tour, while in 2005 the Rolling Stones made a record $162million.

The difficult economic climate has been blamed on the fall, with fuels costs and high ticket prices making it more difficult for fans to see bands live.

“The economy’s got to be affecting everything,” Gary Bongiovanni, editor of the publication, told Reuters.

As previously reported on Gigwise, last week it was revealed that Bon Jovi had grossed over $100million since their world tour began last year.

Giants Stadium 7-28-08 No Surrender Video

29 Jul

Thanks to The Star Ledger & nj.com for the No Surrender Video
http://videos.nj.com/star-ledger/2008/07/bruce_springsteen_performs_no.html

Giants Stadium, 7-28-08 Radio Nowhere Video

29 Jul

Thanks to The Star Ledger & nj.com for Radio Nowhere Video
http://videos.nj.com/star-ledger/2008/07/bruce_springsteen_performs_rad.html

Giants Stadium, 7-28-08 Photo Gallery

29 Jul

Thanks to Backstreets.com for the Great Photos

Giants Stadium 7-28-08 Out in The Streets Video

29 Jul

Thanks to the Star Ledger and NJ.com
http://videos.nj.com/star-ledger/2008/07/bruce_springsteen_performs_out.html

Hearts & Swords Acoustic Guitar Art

29 Jul

Has anyone noticed the art work on the Black Takamine Acoustic Guitar? It looks like he had an artist airbrush a Silver Springsteen Coat of Arms “Heart & Sword” on his black takimine guitar. (see T-shirt) Does anyone have a good photo of the black takimine guitar with the hearts and swords?